Chapter XVIII. "Cities and Faces"

The Lost Prince

by Francis Hodgson Burnett

The hours of Marco's unexplained absence had been terrible to
Loristan and to Lazarus. They had reason for fears which it was not
possible for them to express. As the night drew on, the fears took
stronger form. They forgot the existence of The Rat, who sat biting
his nails in the bedroom, afraid to go out lest he might lose the
chance of being given some errand to do but also afraid to show
himself lest he should seem in the way.

"I'll stay upstairs," he had said to Lazarus. "If you just
whistle, I'll come."

The anguish he passed through as the day went by and Lazarus
went out and came in and he himself received no orders, could not
have been expressed in any ordinary words. He writhed in his chair,
he bit his nails to the quick, he wrought himself into a frenzy of
misery and terror by recalling one by one all the crimes his
knowledge of London police-courts supplied him with. He was doing
nothing, yet he dare not leave his post. It was his post after all,
though they had not given it to him. He must do something.

In the middle of the night Loristan opened the door of the back
sitting-room, because he knew he must at least go upstairs and throw
himself upon his bed even if he could not sleep.

He started back as the door opened. The Rat was sitting huddled
on the floor near it with his back against the wall. He had a piece
of paper in his hand and his twisted face was a weird thing to
see.

"Why are you here?" Loristan asked.

"I've been here three hours, sir. I knew you'd have to come out
sometime and I thought you'd let me speak to you. Will you-- will
you?"

"Come into the room," said Loristan. "I will listen to anything
you want to say. What have you been drawing on that paper?" as The
Rat got up in the wonderful way he had taught himself. The paper was
covered with lines which showed it to be another of his plans.

"Please look at it," he begged. "I daren't go out lest you
might want to send me somewhere. I daren't sit doing nothing. I
began remembering and thinking things out. I put down all the
streets and squares he might have walked through on his way home.
I've not missed one. If you'll let me start out and walk through
every one of them and talk to the policemen on the beat and look at
the houses--and think out things and work at them--I'll not miss an
inch--I'll not miss a brick or a flagstone--I'll--" His voice had a
hard sound but it shook, and he himself shook.

Loristan touched his arm gently.

"You are a good comrade," he said. "It is well for us that you
are here. You have thought of a good thing."

"May I go now?" said The Rat.

"This moment, if you are ready," was the answer. The Rat swung
himself to the door.

Loristan said to him a thing which was like the sudden lighting
of a great light in the very center of his being.

"You are one of us. Now that I know you are doing this I may
even sleep. You are one of us." And it was because he was following
this plan that The Rat had turned into Brandon Terrace and heard the
Samavian song ringing out from the locked basement of Number 10.

"Yes, he is one of us," Loristan said, when he told this part of
the story to Marco as they sat by the fire. "I had not been sure
before. I wanted to be very sure. Last night I saw into the depths
of him and knew. He may be trusted."

From that day The Rat held a new place. Lazarus himself,
strangely enough, did not resent his holding it. The boy was allowed
to be near Loristan as he had never dared to hope to be near. It was
not merely that he was allowed to serve him in many ways, but he was
taken into the intimacy which had before enclosed only the three.
Loristan talked to him as he talked to Marco, drawing him within the
circle which held so much that was comprehended without speech. The
Rat knew that he was being trained and observed and he realized it
with exaltation. His idol had said that he was "one of them" and he
was watching and putting him to tests so that he might find out how
much he was one of them. And he was doing it for some grave reason
of his own. This thought possessed The Rat's whole mind. Perhaps he
was wondering if he should find out that he was to be trusted, as a
rock is to be trusted. That he should even think that perhaps he
might find that he was like a rock, was inspiration enough.

"Sir," he said one night when they were alone together, because
The Rat had been copying a road-map. His voice was very low-- "do
you think that--sometime--you could trust me as you trust Marco?
Could it ever be like that--ever?"

"The time has come," and Loristan's voice was almost as low as
his own, though strong and deep feeling underlay its quiet-- "the
time has come when I can trust you with Marco--to be his
companion--to care for him, to stand by his side at any moment. And
Marco is--Marco is my son." That was enough to uplift The Rat to the
skies. But there was more to follow.

"It may not be long before it may be his part to do work in
which he will need a comrade who can be trusted--as a rock can be
trusted."

He had said the very words The Rat's own mind had given to
him.

"A Rock! A Rock!" the boy broke out. "Let me show you, sir.
Send me with him for a servant. The crutches are nothing. You've
seen that they're as good as legs, haven't you? I've trained
myself."

"I know, I know, dear lad." Marco had told him all of it. He
gave him a gracious smile which seemed as if it held a sort of fine
secret. "You shall go as his aide-de-camp. It shall be part of the
game."

He had always encouraged "the game," and during the last weeks
had even found time to help them in their plannings for the
mysterious journey of the Secret Two. He had been so interested that
once or twice he had called on Lazarus as an old soldier and Samavian
to give his opinions of certain routes--and of the customs and habits
of people in towns and villages by the way. Here they would find
simple pastoral folk who danced, sang after their day's work, and who
would tell all they knew; here they would find those who served or
feared the Maranovitch and who would not talk at all. In one place
they would meet with hospitality, in another with unfriendly
suspicion of all strangers. Through talk and stories The Rat began
to know the country almost as Marco knew it. That was part of the
game too--because it was always "the game," they called it. Another
part was The Rat's training of his memory, and bringing home his
proofs of advance at night when he returned from his walk and could
describe, or recite, or roughly sketch all he had seen in his passage
from one place to another. Marco's part was to recall and sketch
faces. Loristan one night gave him a number of photographs of people
to commit to memory. Under each face was written the name of a
place.

"Learn these faces," he said, "until you would know each one of
them at once wheresoever you met it. Fix them upon your mind, so
that it will be impossible for you to forget them. You must be able
to sketch any one of them and recall the city or town or neighborhood
connected with it."

Even this was still called "the game," but Marco began to know
in his secret heart that it was so much more, that his hand sometimes
trembled with excitement as he made his sketches over and over again.
To make each one many times was the best way to imbed it in his
memory. The Rat knew, too, though he had no reason for knowing, but
mere instinct. He used to lie awake in the night and think it over
and remember what Loristan had said of the time coming when Marco
might need a comrade in his work. What was his work to be? It was
to be something like "the game." And they were being prepared for
it. And though Marco often lay awake on his bed when The Rat lay
awake on his sofa, neither boy spoke to the other of the thing his
mind dwelt on. And Marco worked as he had never worked before. The
game was very exciting when he could prove his prowess. The four
gathered together at night in the back sitting-room. Lazarus was
obliged to be with them because a second judge was needed. Loristan
would mention the name of a place, perhaps a street in Paris or a
hotel in Vienna, and Marco would at once make a rapid sketch of the
face under whose photograph the name of the locality had been
written. It was not long before he could begin his sketch without
more than a moment's hesitation. And yet even when this had become
the case, they still played the game night after night. There was a
great hotel near the Place de la Concorde in Paris, of which Marco
felt he should never hear the name during all his life without there
starting up before his mental vision a tall woman with fierce black
eyes and a delicate high-bridged nose across which the strong
eyebrows almost met. In Vienna there was a palace which would always
bring back at once a pale cold-faced man with a heavy blonde lock
which fell over his forehead. A certain street in Munich meant a
stout genial old aristocrat with a sly smile; a village in Bavaria, a
peasant with a vacant and simple countenance. A curled and smoothed
man who looked like a hair-dresser brought up a place in an Austrian
mountain town. He knew them all as he knew his own face and No. 7
Philibert Place.

But still night after night the game was played.

Then came a night when, out of a deep sleep, he was awakened by
Lazarus touching him. He had so long been secretly ready to answer
any call that he sat up straight in bed at the first touch.

"Dress quickly and come down stairs," Lazarus said. "The Prince
is here and wishes to speak with you."

Marco made no answer but got out of bed and began to slip on his
clothes.

Lazarus touched The Rat.

The Rat was as ready as Marco and sat upright as he had done.

"Come down with the young Master," he commanded. "It is
necessary that you should be seen and spoken to." And having given
the order he went away.

No one heard the shoeless feet of the two boys as they stole
down the stairs.

An elderly man in ordinary clothes, but with an unmistakable
face, was sitting quietly talking to Loristan who with a gesture
called both forward.

"The Prince has been much interested in what I have told him of
your game," he said in his lowest voice. "He wishes to see you make
your sketches, Marco."

Marco looked very straight into the Prince's eyes which were
fixed intently on him as he made his bow.

"His Highness does me honor," he said, as his father might have
said it. He went to the table at once and took from a drawer his
pencils and pieces of cardboard.

"I should know he was your son and a Samavian," the Prince
remarked.

Then his keen and deep-set eyes turned themselves on the boy
with the crutches.

"This," said Loristan, "is the one who calls himself The Rat.
He is one of us."

The Rat saluted.

"Please tell him, sir," he whispered, "that the crutches don't
matter."

"He has trained himself to an extraordinary activity," Loristan
said. "He can do anything."

The keen eyes were still taking The Rat in.

"They are an advantage," said the Prince at last.

Lazarus had nailed together a light, rough easel which Marco
used in making his sketches when the game was played. Lazarus was
standing in state at the door, and he came forward, brought the easel
from its corner, and arranged the necessary drawing materials upon
it.

Marco stood near it and waited the pleasure of his father and
his visitor. They were speaking together in low tones and he waited
several minutes. What The Rat noticed was what he had noticed
before--that the big boy could stand still in perfect ease and
silence. It was not necessary for him to say things or to ask
questions-- to look at people as if he felt restless if they did not
speak to or notice him. He did not seem to require notice, and The
Rat felt vaguely that, young as he was, this very freedom from any
anxiety to be looked at or addressed made him somehow look like a
great gentleman.

Loristan and the Prince advanced to where he stood.

"L'Hotel de Marigny," Loristan said.

Marco began to sketch rapidly. He began the portrait of the
handsome woman with the delicate high-bridged nose and the black
brows which almost met. As he did it, the Prince drew nearer and
watched the work over his shoulder. It did not take very long and,
when it was finished, the inspector turned, and after giving Loristan
a long and strange look, nodded twice.

"It is a remarkable thing," he said. "In that rough sketch she
is not to be mistaken."

Loristan bent his head.

Then he mentioned the name of another street in another place
--and Marco sketched again. This time it was the peasant with the
simple face. The Prince bowed again. Then Loristan gave another
name, and after that another and another; and Marco did his work
until it was at an end, and Lazarus stood near with a handful of
sketches which he had silently taken charge of as each was laid
aside.

"You would know these faces wheresoever you saw them?" said the
Prince. "If you passed one in Bond Street or in the Marylebone Road,
you would recognize it at once?"

"As I know yours, sir," Marco answered.

Then followed a number of questions. Loristan asked them as he
had often asked them before. They were questions as to the height
and build of the originals of the pictures, of the color of their
hair and eyes, and the order of their complexions. Marco answered
them all. He knew all but the names of these people, and it was
plainly not necessary that he should know them, as his father had
never uttered them.

After this questioning was at an end the Prince pointed to The
Rat who had leaned on his crutches against the wall, his eyes
fiercely eager like a ferret's.

"And he?" the Prince said. "What can he do?"

"Let me try," said The Rat. "Marco knows."

Marco looked at his father.

"May I help him to show you?" he asked.

"Yes," Loristan answered, and then, as he turned to the Prince,
he said again in his low voice: "He is one of us."

Then Marco began a new form of the game. He held up one of the
pictured faces before The Rat, and The Rat named at once the city and
place connected with it, he detailed the color of eyes and hair, the
height, the build, all the personal details as Marco himself had
detailed them. To these he added descriptions of the cities, and
points concerning the police system, the palaces, the people. His
face twisted itself, his eyes burned, his voice shook, but he was
amazing in his readiness of reply and his exactness of memory.

"I can't draw," he said at the end. "But I can remember. I
didn't want any one to be bothered with thinking I was trying to
learn it. So only Marco knew."

This he said to Loristan with appeal in his voice.

"It was he who invented `the game,' " said Loristan. "I showed
you his strange maps and plans."

"It is a good game," the Prince answered in the manner of a man
extraordinarily interested and impressed. "They know it well. They
can be trusted."

"No such thing has ever been done before," Loristan said. "It
is as new as it is daring and simple."

"Therein lies its safety," the Prince answered.

"Perhaps only boyhood," said Loristan, "could have dared to
imagine it."

"The Prince thanks you," he said after a few more words spoken
aside to his visitor. "We both thank you. You may go back to your
beds."

And the boys went.