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AUTHOR'S PREFACE

The Three Musketeers





AUTHOR'S PREFACE, THE THREE MUSKETEERS by Alexandre Dumas
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In which it is proved that, notwithstanding their names' ending
in OS and IS, the heroes of the story which we are about to have
the honor to relate to our readers have nothing mythological
about them.

A short time ago, while making researches in the Royal Library
for my History of Louis XIV, I stumbled by chance upon the
Memoirs of M. d'Artagnan, printed--as were most of the works of
that period, in which authors could not tell the truth without
the risk of a residence, more or less long, in the Bastille--at
Amsterdam, by Pierre Rouge. The title attracted me; I took them
home with me, with the permission of the guardian, and devoured
them.

It is not my intention here to enter into an analysis of this
curious work; and I shall satisfy myself with referring such of
my readers as appreciate the pictures of the period to its pages.
They will therein find portraits penciled by the hand of a
master; and although these squibs may be, for the most part,
traced upon the doors of barracks and the walls of cabarets, they
will not find the likenesses of Louis XIII, Anne of Austria,
Richelieu, Mazarin, and the courtiers of the period, less
faithful than in the history of M. Anquetil.

But, it is well known, what strikes the capricious mind of the
poet is not always what affects the mass of readers. Now, while
admiring, as others doubtless will admire, the details we have to
relate, our main preoccupation concerned a matter to which no one
before ourselves had given a thought.

D'Artagnan relates that on his first visit to M. de Treville,
captain of the king's Musketeers, he met in the antechamber three
young men, serving in the illustrious corps into which he was
soliciting the honor of being received, bearing the names of
Athos, Porthos, and Aramis.

We must confess these three strange names struck us; and it
immediately occurred to us that they were but pseudonyms, under
which d'Artagnan had disguised names perhaps illustrious, or else
that the bearers of these borrowed names had themselves chosen
them on the day in which, from caprice, discontent, or want of
fortune, they had donned the simple Musketeer's uniform.

From the moment we had no rest till we could find some trace in
contemporary works of these extraordinary names which had so
strongly awakened our curiosity.

The catalogue alone of the books we read with this object would
fill a whole chapter, which, although it might be very
instructive, would certainly afford our readers but little
amusement. It will suffice, then, to tell them that at the
moment at which, discouraged by so many fruitless investigations,
we were about to abandon our search, we at length found, guided
by the counsels of our illustrious friend Paulin Paris, a
manuscript in folio, endorsed 4772 or 4773, we do not recollect
which, having for title, "Memoirs of the Comte de la Fere,
Touching Some Events Which Passed in France Toward the End of the
Reign of King Louis XIII and the Commencement of the Reign of
King Louis XIV."

It may be easily imagined how great was our joy when, in turning
over this manuscript, our last hope, we found at the twentieth
page the name of Athos, at the twenty-seventh the name of
Porthos, and at the thirty-first the name of Aramis.

The discovery of a completely unknown manuscript at a period in
which historical science is carried to such a high degree
appeared almost miraculous. We hastened, therefore, to obtain
permission to print it, with the view of presenting ourselves
someday with the pack of others at the doors of the Academie des
Inscriptions et Belles Lettres, if we should not succeed--a very
probable thing, by the by--in gaining admission to the Academie
Francaise with our own proper pack. This permission, we feel
bound to say, was graciously granted; which compels us here to
give a public contradiction to the slanderers who pretend that we
live under a government but moderately indulgent to men of
letters.

Now, this is the first part of this precious manuscript which we
offer to our readers, restoring it to the title which belongs to
it, and entering into an engagement that if (of which we have no
doubt) this first part should obtain the success it merits, we
will publish the second immediately.

In the meanwhile, as the godfather is a second father, we beg the
reader to lay to our account, and not to that of the Comte de la
Fere, the pleasure or the ENNUI he may experience.

This being understood, let us proceed with our history.






                                                                                    

 

 

Go back to the Dumas page for related resources.
Move on to the next section in this etext, 1 THE THREE PRESENTS OF D'ARTAGNAN THE ELDER.

The Three Musketeers

AUTHOR'S PREFACE
1 THE THREE PRESENTS OF D'ARTAGNAN THE ELDER
2 THE ANTECHAMBER OF M DE TREVILLE
3 THE AUDIENCE
4 THE SHOULDER OF ATHOS, THE BALDRIC OF PORTHOS AND THE
5 THE KING'S MUSKETEERS AND THE CARDINAL'S GUARDS
6 HIS MAJESTY KING LOUIS XIII
7 THE INTERIOR OF "THE MUSKETEERS"
8 CONCERNING A COURT INTRIGUE
9 D'ARTAGNAN SHOWS HIMSELF
10 A MOUSETRAP IN THE SEVENTEENTH CENTURY
11 IN WHICH THE PLOT THICKENS
12 GEORGE VILLIERS, DUKE OF BUCKINGHAM
13 MONSIEUR BONACIEUX
14 THE MAN OF MEUNG
15 MEN OF THE ROBE AND MEN OF THE SWORD
16 IN WHICH M SEGUIER, KEEPER OF THE SEALS, LOOKS MORE THAN
17 BONACIEUX AT HOME
18 LOVER AND HUSBAND
19 PLAN OF CAMPAIGN
20 THE JOURNEY
21 THE COUNTESS DE WINTER
22 THE BALLET OF LA MERLAISON
23 THE RENDEZVOUS
24 THE PAVILION
25 PORTHOS
26 ARAMIS AND HIS THESIS
27 THE WIFE OF ATHOS
28 THE RETURN
29 HUNTING FOR THE EQUIPMENTS
30 D'ARTAGNAN AND THE ENGLISHMAN
31 ENGLISH AND FRENCH
32 A PROCURATOR'S DINNER
33 SOUBRETTE AND MISTRESS
34 IN WHICH THE EQUIPMENT OF ARAMIS AND PORTHOS IS TREATED
35 A GASCON A MATCH FOR CUPID
36 DREAM OF VENGEANCE
37 MILADY'S SECRET
38 HOW, WITHOUT INCOMMODING HIMSELF, ATHOS PROCURES HIS EQUIPMENT
39 A VISION
40 A TERRIBLE VISION
41 THE SEIGE OF LA ROCHELLE
42 THE ANJOU WINE
43 The Sign of the Red Dovecot
44 THE UTILITY OF STOVEPIPES
45 A CONJUGAL SCENE
46 THE BASTION SAINT-GERVAIS
47 THE COUNCIL OF THE MUSKETEERS
48 A FAMILY AFFAIR
49 FATALITY
50 CHAT BETWEEN BROTHER AND SISTER
51 OFFICER
52 CAPTIVITY - THE FIRST DAY
53 CAPTIVITY - THE SECOND DAY
54 CAPTIVITY - THE THIRD DAY
55 CAPTIVITY - THE FOURTH DAY
56 CAPTIVITY - THE FIFTH DAY
57 MEANS FOR CLASSICAL TRAGEDY
58 ESCAPE
59 WHAT TOOK PLACE AT PORTSMOUTH AUGUST 23, 1628
60 IN FRANCE
61 THE CARMELITE CONVENT AT BETHUNE
62 TWO VARIETIES OF DEMONS
63 THE DROP OF WATER
64 THE MAN IN THE RED CLOAK
65 TRIAL
66 EXECUTION
67 CONCLUSION
EPILOGUE

 


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