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Scene I.

Love for Love





Valentine's lodging.

SCANDAL and JEREMY.

SCANDAL
Well, is your master ready? does he look madly and
talk madly?

JEREMY
Yes, sir; you need make no great doubt of that. He
that was so near turning poet yesterday morning can't be much to seek
in playing the madman to-day.

SCANDAL
Would he have Angelica acquainted with the reason of
his design?

JEREMY
No, sir, not yet. He has a mind to try whether his
playing the madman won't make her play the fool, and fall in love
with him; or at least own that she has loved him all this while and
concealed it.

SCANDAL
I saw her take coach just now with her maid, and
think I heard her bid the coachman drive hither.

JEREMY
Like enough, sir, for I told her maid this morning,
my master was run stark mad only for love of her mistress.--I hear a
coach stop; if it should be she, sir, I believe he would not see her,
till he hears how she takes it.

SCANDAL
Well, I'll try her: --'tis she--here she comes.







                                                                                    

 

 

Go back to the Congreve page for related resources.
Move on to the next section in this etext, Scene II..

Love for Love

Prologue. Spoken, at the opening of the new house, by Mr Betterton.
Epilogue. Spoken, at the opening of the new house, by Mrs Bracegirdle.
Dramatis Personae.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene XII.
Scene XIII.
Scene XIV.
Scene XIV.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene XII.
Scene XIII.
Scene XIV.
Scene XV.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene XII.
Scene XIII.
Scene XIV.
Scene XV.
Scene XVI.
Scene XVII.
Scene XVIII.
Scene XIX.
Scene XX.
Scene XXI.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene the Last.

 


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