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Scene XI.

Love for Love





TATTLE, MISS PRUE.

MISS PRUE
What makes 'em go away, Mr Tattle? What do they
mean, do you know?

TATTLE
Yes my dear; I think I can guess, but hang me if I
know the reason of it.

MISS PRUE
Come, must not we go too?

TATTLE
No, no, they don't mean that.

MISS PRUE
No! What then? What shall you and I do
together?

TATTLE
I must make love to you, pretty Miss; will you let me
make love to you?

MISS PRUE
Yes, if you please.

TATTLE
Frank, i'Gad, at least. What a pox does Mrs
Foresight mean by this civility? Is it to make a fool of me? Or
does she leave us together out of good morality, and do as she would
be done by?--Gad, I'll understand it so. [Aside.]

MISS PRUE
Well; and how will you make love to me--come, I
long to have you begin,--must I make love too? You must tell me
how.

TATTLE
You must let me speak, Miss, you must not speak
first; I must ask you questions, and you must answer.

MISS PRUE
What, is it like the catechism? Come then, ask
me.

TATTLE
D'ye think you can love me?

MISS PRUE
Yes.

TATTLE
Pooh, pox, you must not say yes already; I shan't
care a farthing for you then in a twinkling.

MISS PRUE
What must I say then?

TATTLE
Why you must say no, or you believe not, or you can't
tell -

MISS PRUE
Why, must I tell a lie then?

TATTLE
Yes, if you'd be well bred. All well bred persons
lie.-- Besides, you are a woman, you must never speak what you think:
your words must contradict your thoughts; but your actions may
contradict your words. So when I ask you if you can love me, you
must say no, but you must love me too. If I tell you you are
handsome, you must deny it, and say I flatter you. But you must
think yourself more charming than I speak you: and like me, for the
beauty which I say you have, as much as if I had it myself. If I ask
you to kiss me, you must be angry, but you must not refuse me. If I
ask you for more, you must be more angry,--but more complying; and as
soon as ever I make you say you'll cry out, you must be sure to hold
your tongue.

MISS PRUE
O Lord, I swear this is pure. I like it better
than our old- fashioned country way of speaking one's mind;--and must
not you lie too?

TATTLE
Hum--yes--but you must believe I speak truth.

MISS PRUE
O Gemini! Well, I always had a great mind to tell
lies; but they frighted me, and said it was a sin.

TATTLE
Well, my pretty creature; will you make me happy by
giving me a kiss?

MISS PRUE
No, indeed; I'm angry at you. [Runs and kisses
him.]

TATTLE
Hold, hold, that's pretty well, but you should not
have given it me, but have suffered me to have taken it.

MISS PRUE
Well, we'll do it again.

TATTLE
With all my heart.--Now then, my little angel.
[Kisses her.]

MISS PRUE
Pish.

TATTLE
That's right,--again, my charmer. [Kisses again.]

MISS PRUE
O fie, nay, now I can't abide you.

TATTLE
Admirable! That was as well as if you had been born
and bred in Covent Garden. And won't you shew me, pretty miss, where
your bed-chamber is?

MISS PRUE
No, indeed won't I; but I'll run there, and hide
myself from you behind the curtains.

TATTLE
I'll follow you.

MISS PRUE
Ah, but I'll hold the door with both hands, and be
angry;-- and you shall push me down before you come in.

TATTLE
No, I'll come in first, and push you down
afterwards.

MISS PRUE
Will you? Then I'll be more angry and more
complying.

TATTLE
Then I'll make you cry out.

MISS PRUE
Oh, but you shan't, for I'll hold my tongue.

TATTLE
O my dear apt scholar!

MISS PRUE
Well, now I'll run and make more haste than
you.

TATTLE
You shall not fly so fast, as I'll pursue.







                                                                                    

 

 

Go back to the Congreve page for related resources.
Move on to the next section in this etext, Scene I..

Love for Love

Prologue. Spoken, at the opening of the new house, by Mr Betterton.
Epilogue. Spoken, at the opening of the new house, by Mrs Bracegirdle.
Dramatis Personae.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene XII.
Scene XIII.
Scene XIV.
Scene XIV.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene XII.
Scene XIII.
Scene XIV.
Scene XV.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene XII.
Scene XIII.
Scene XIV.
Scene XV.
Scene XVI.
Scene XVII.
Scene XVIII.
Scene XIX.
Scene XX.
Scene XXI.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene the Last.

 


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