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Scene XI.

Love for Love





[To them] TATTLE.

TATTLE
Valentine, good morrow; Scandal, I am yours: --that
is, when you speak well of me.

SCANDAL
That is, when I am yours; for while I am my own, or
anybody's else, that will never happen.

TATTLE
How inhuman!

VALENTINE
Why Tattle, you need not be much concerned at
anything that he says: for to converse with Scandal, is to play at
losing loadum; you must lose a good name to him before you can win it
for yourself.

TATTLE
But how barbarous that is, and how unfortunate for
him, that the world shall think the better of any person for his
calumniation! I thank heaven, it has always been a part of my
character to handle the reputations of others very tenderly
indeed.

SCANDAL
Ay, such rotten reputations as you have to deal with
are to be handled tenderly indeed.

TATTLE
Nay, but why rotten? Why should you say rotten, when
you know not the persons of whom you speak? How cruel that is!

SCANDAL
Not know 'em? Why, thou never had'st to do with
anybody that did not stink to all the town.

TATTLE
Ha, ha, ha; nay, now you make a jest of it indeed.
For there is nothing more known than that nobody knows anything of
that nature of me. As I hope to be saved, Valentine, I never exposed
a woman, since I knew what woman was.

VALENTINE
And yet you have conversed with several.

TATTLE
To be free with you, I have. I don't care if I own
that. Nay more (I'm going to say a bold word now) I never could
meddle with a woman that had to do with anybody else.

SCANDAL
How?

VALENTINE
Nay faith, I'm apt to believe him. Except her
husband, Tattle.

TATTLE
Oh, that -

SCANDAL
What think you of that noble commoner, Mrs Drab?

TATTLE
Pooh, I know Madam Drab has made her brags in three
or four places, that I said this and that, and writ to her, and did I
know not what--but, upon my reputation, she did me wrong--well, well,
that was malice--but I know the bottom of it. She was bribed to that
by one we all know--a man too. Only to bring me into disgrace with a
certain woman of quality -

SCANDAL
Whom we all know.

TATTLE
No matter for that. Yes, yes, everybody knows. No
doubt on't, everybody knows my secrets. But I soon satisfied the
lady of my innocence; for I told her: Madam, says I, there are some
persons who make it their business to tell stories, and say this and
that of one and t'other, and everything in the world; and, says I, if
your grace -

SCANDAL
Grace!

TATTLE
O Lord, what have I said? My unlucky tongue!

VALENTINE
Ha, ha, ha.

SCANDAL
Why, Tattle, thou hast more impudence than one can
in reason expect: I shall have an esteem for thee, well, and, ha,
ha, ha, well, go on, and what did you say to her grace?

VALENTINE
I confess this is something extraordinary.

TATTLE
Not a word, as I hope to be saved; an errant lapsus
linguae. Come, let's talk of something else.

VALENTINE
Well, but how did you acquit yourself?

TATTLE
Pooh, pooh, nothing at all; I only rallied with
you--a woman of ordinary rank was a little jealous of me, and I told
her something or other, faith I know not what.--Come, let's talk of
something else. [Hums a song.]

SCANDAL
Hang him, let him alone, he has a mind we should
enquire.

TATTLE
Valentine, I supped last night with your mistress,
and her uncle, old Foresight: I think your father lies at
Foresight's.

VALENTINE
Yes.

TATTLE
Upon my soul, Angelica's a fine woman. And so is Mrs
Foresight, and her sister, Mrs Frail.

SCANDAL
Yes, Mrs Frail is a very fine woman, we all know
her.

TATTLE
Oh, that is not fair.

SCANDAL
What?

TATTLE
To tell.

SCANDAL
To tell what? Why, what do you know of Mrs
Frail?

TATTLE
Who, I? Upon honour I don't know whether she be man
or woman, but by the smoothness of her chin and roundness of her
hips.

SCANDAL
No?

TATTLE
No.

SCANDAL
She says otherwise.

TATTLE
Impossible!

SCANDAL
Yes, faith. Ask Valentine else.

TATTLE
Why then, as I hope to be saved, I believe a woman
only obliges a man to secrecy that she may have the pleasure of
telling herself.

SCANDAL
No doubt on't. Well, but has she done you wrong, or
no? You have had her? Ha?

TATTLE
Though I have more honour than to tell first, I have
more manners than to contradict what a lady has declared.

SCANDAL
Well, you own it?

TATTLE
I am strangely surprised! Yes, yes, I can't deny't
if she taxes me with it.

SCANDAL
She'll be here by and by, she sees Valentine every
morning.

TATTLE
How?

VALENTINE
She does me the favour, I mean, of a visit
sometimes. I did not think she had granted more to anybody.

SCANDAL
Nor I, faith. But Tattle does not use to bely a
lady; it is contrary to his character. How one may be deceived in a
woman, Valentine?

TATTLE
Nay, what do you mean, gentlemen?

SCANDAL
I'm resolved I'll ask her.

TATTLE
O barbarous! Why did you not tell me?

SCANDAL
No; you told us.

TATTLE
And bid me ask Valentine?

VALENTINE
What did I say? I hope you won't bring me to
confess an answer when you never asked me the question?

TATTLE
But, gentlemen, this is the most inhuman proceeding
-

VALENTINE
Nay, if you have known Scandal thus long, and
cannot avoid such a palpable decoy as this was, the ladies have a
fine time whose reputations are in your keeping.







                                                                                    

 

 

Go back to the Congreve page for related resources.
Move on to the next section in this etext, Scene XII..

Love for Love

Prologue. Spoken, at the opening of the new house, by Mr Betterton.
Epilogue. Spoken, at the opening of the new house, by Mrs Bracegirdle.
Dramatis Personae.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene XII.
Scene XIII.
Scene XIV.
Scene XIV.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene XII.
Scene XIII.
Scene XIV.
Scene XV.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene XII.
Scene XIII.
Scene XIV.
Scene XV.
Scene XVI.
Scene XVII.
Scene XVIII.
Scene XIX.
Scene XX.
Scene XXI.
Scene I.
Scene II.
Scene III.
Scene IV.
Scene V.
Scene VI.
Scene VII.
Scene VIII.
Scene IX.
Scene X.
Scene XI.
Scene the Last.

 


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